Etude Op. 50, No. 7
Louise Farrenc
Included in:
Sheet Music
(Download)
Era
Difficulty Level
Moods
Style
16th Notes
Rhythm
Notes whose lengths are equal to one-sixteenth the value of a whole note or one quarter of a quarter note.
SearchBroken Chord Accompaniment
Accompaniment Patterns
A type of accompaniment pattern that primarily uses broken chords in varying note configurations, with simple or slow-moving rhythms.
SearchCadenza
Improvisation
A typically unnotated section of a piece where the performer is meant to improvise, usually occurs at a dominant chord.
SearchDotted 8th Notes
Rhythm
8th notes whose lengths are increased by half; equal to three 16th notes.
SearchFermatas
Rhythm
Indications placed above or below notes instructing the player to hold those notes longer than their original notated length.
SearchIntermediate Two Voices in One Hand
Texture
A type of texture where one or both hands play more than one voice at a time with large intervals, many hand positions, and complex rhythms.
SearchOrnaments
Expression
Embellishments added to melodies that serve to decorate, increase interest, and allow performers to add their own unique expressiveness.
SearchTwo Note Slurs
Expression
Two notes connected together smoothly where the second note is played softer and lighter.
SearchTitle
Etude Op. 50, No. 7
Composer
Collection
Year
1863
Instrumentation
Solo Piano
Key Signature
Time Signature
# of Measures
32
Student Types
Teaching Tips
Block the Broken Chords,
Focus On Expressive Markings,
Focus on the Left Hand Accompaniment Patterns,
Hands Separate Practice,
Help Student Achieve Sensitive and Musical Playing,
Highlight the Contrast in Articulation,
Play Similar Passages Together,
Play Small Segments,
Play Without the Ornaments,
Study the Contour of the Melody,
Tap and Count,
Work on a Smooth Legato Touch,
Work on Creating a Good Tone,
Work on Expressive Phrasing,
Work on Getting the Correct Style