Etude Op. 50, No. 3
Louise Farrenc
Included in:
Sheet Music
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Era
Difficulty Level
Moods
Style
Theme
8th Notes
Rhythm
Notes whose lengths are equal to one-eighth the value of a whole note or half the value of a quarter note.
SearchBlocked 3rds
Intervals
Two notes played together, usually in one hand but sometimes in both, whose distance is the interval of a 3rd of any quality.
SearchBlocked Chord Accompaniment
Accompaniment Patterns
A type of accompaniment pattern that primarily uses root-position major and minor triads with simple or slow-moving rhythms.
SearchContrary Motion
Texture
A type of texture where the contour of the notes in one hand is the exact opposite to that of the other hand as they play simultaneously.
SearchDominant Seventh Chords
Chords
Four-note chords comprised of the root, major 3rd, perfect 5th, and minor 7th.
SearchImitation
Texture
A type of texture where one hand plays a series of notes that are mimicked in the other hand.
SearchStaccato
Expression
A type of articulation indicating the player to play short and light; notes not held for their full value.
SearchTies
Rhythm
Symbols indicating that two notes are to be played as one with the value equal to their sum.
SearchMelody Between Hands
Texture
A simple melody line shared by both the right hand and the left hand.
SearchTitle
Etude Op. 50, No. 3
Composer
Collection
Year
1863
Instrumentation
Solo Piano
Key Signature
Time Signature
# of Measures
54
Student Types
Teaching Tips
Choose Good Fingerings,
Demonstrate,
Hands Separate Practice,
Highlight the Contrast in Articulation,
Play Small Segments,
Slow Practice,
Work on Creating a Good Tone,
Work on Expressive Phrasing,
Work on Getting the Correct Style