Etude Op. 50, No. 18
Louise Farrenc
Included in:
Sheet Music
(Download)
Era
Difficulty Level
Mood
Styles
Theme
16th Notes
Rhythm
Notes whose lengths are equal to one-sixteenth the value of a whole note or one quarter of a quarter note.
SearchBroken Chord Accompaniment
Accompaniment Patterns
A type of accompaniment pattern that primarily uses broken chords in varying note configurations, with simple or slow-moving rhythms.
SearchBroken Chords
Chords
Chord tones played one note at a time that are not part of an accompaniment pattern.
SearchExtended Hand Positions
Hand and Finger Techniques
Hand positions that require stretching beyond a five finger scale; usually to play intervals that are 6ths or greater.
SearchIntermediate Two Voices in One Hand
Texture
A type of texture where one or both hands play more than one voice at a time with large intervals, many hand positions, and complex rhythms.
SearchIntermediate Waltz Accompaniment
Accompaniment Patterns
A type of waltz accompaniment pattern that uses intermediate skills like shifting, extending, and multiple voices, but without octave leaps.
SearchShifting Hand Positions
Hand and Finger Techniques
A technique that requires the player to pick up and move their hand to a new position; usually from a five finger scale to another.
SearchSimple Two Voices in One Hand
Texture
A type of texture where one or both hands play more than one voice at a time; usually briefly and with simple rhythms.
SearchTitle
Etude Op. 50, No. 18
Composer
Collection
Year
1863
Instrumentation
Solo Piano
Key Signature
Time Signature
# of Measures
48
Student Type
Teaching Tips
Block the Broken Chords,
Hands Separate Practice,
Slow Practice,
Work on Bringing Out the Bouncy Character With a Light, Nimble Touch,
Work on Expressive Phrasing