Consolation Op. 100, No. 13
Friedrich Burgmüller
Era
Difficulty Level
Moods
Style
8th Notes
Rhythm
Notes whose lengths are equal to one-eighth the value of a whole note or half the value of a quarter note.
SearchBlocked 6ths
Intervals
Two notes played together, usually in one hand but sometimes in both, whose distance is the interval of a 6th of any quality.
SearchBlocked Chord Accompaniment
Accompaniment Patterns
A type of accompaniment pattern that primarily uses root-position major and minor triads with simple or slow-moving rhythms.
SearchChord Inversions
Chords
Chords with alternate ordering of their tones where the root is placed either in the middle or at the top of the chord.
SearchCrescendo and Diminuendo
Expression
Indications instructing the player to play gradually louder (crescendo) or softer (diminuendo).
SearchCrossing Over Thumb
Hand and Finger Techniques
The physical motion of crossing fingers 2, 3, 4, or 5 over the thumb; used when playing scalar passages or outside of five finger scales.
SearchCrossing Thumb Under
Hand and Finger Techniques
The physical motion of crossing the thumb under fingers 2, 3, 4, or 5; used when playing scalar passages or outside of five finger scales.
SearchDominant Seventh Chords
Chords
Four-note chords comprised of the root, major 3rd, perfect 5th, and minor 7th.
SearchHomophony
Texture
A type of texture where a melody is supported by one or more voices with all the voices following the same or similar rhythm.
SearchIntermediate Two Voices in One Hand
Texture
A type of texture where one or both hands play more than one voice at a time with large intervals, many hand positions, and complex rhythms.
SearchLeft Hand Melody
Texture
A type of texture where the left hand plays the melody and the right hand plays the accompaniment for an extended period of time.
SearchParallel 6ths
Intervals
A series of any amount or quality of blocked 6th intervals that are played in one hand, and where both notes move up or down in parallel motion.
SearchParallel Motion
Texture
A type texture that occurs when the contour, distance, and speed of the notes in one hand matches that of the other hand as they play together.
SearchTitle
Consolation Op. 100, No. 13
Composer
Publisher
Collection
Year
1852
Instrumentation
Solo Piano
Key Signature
Time Signature
# of Measures
42
Student Types
Teaching Tips
Focus On Expressive Markings,
Hands Separate Practice,
Help Student Achieve Sensitive and Musical Playing,
Isolate Voices,
Study the Contour of the Individual Voices,
Study the Contour of the Melody,
Work on a Smooth Legato Touch,
Work on Expressive Phrasing,
Work on Getting the Correct Style