Schmeichelkätzchen

May Flowers Op. 61

Quarter notes whose lengths are increased by half; equal to three 8th notes.

Hand positions that require stretching beyond a five finger scale; usually to play intervals that are 6ths or greater.

A type of articulation indicating the player to play smoothly and seamlessly, with the notes slightly overlapped.

Two notes played in succession, usually in one hand but sometimes in both, whose distance is the interval of a 6th of any quality.

Notes whose lengths are equal to one-fourth the value of a whole note.

A waltz accompaniment that mainly stays in one five finger scale or briefly extends to include 6ths or 7ths.

Notes whose lengths are equal to one-eighth the value of a whole note or half the value of a quarter note.

Indications instructing the player to put special emphasis on notes.

A technique that requires the player to pick up and move their hand to a new position; usually from a five finger scale to another.

Sometimes called upbeats or pickup notes; a note or series of notes that precede and give stress to the first downbeat of a piece.

Chords with alternate ordering of their tones where the root is placed either in the middle or at the top of the chord.

Silence that equals the length of one quarter note.

Notes whose lengths are equal to one half the value of a whole note.

An indication instructing the player to play softly.