Spanischer Tanz

May Flowers Op. 61

Notes whose lengths are equal to one-sixteenth the value of a whole note or one quarter of a quarter note.

Notes whose lengths are equal to one-eighth the value of a whole note or half the value of a quarter note.

A type of accompaniment pattern that primarily uses major and minor triads with simple or slow-moving rhythms.

The same note that occurs several times in a row throughout a piece.

A symbol indicating that a section should be repeated.

A type of articulation indicating the player to play short and light; notes not held for their full value.

A type of accompaniment pattern that primarily uses repeating blocked 3rds in a single position with simple or slow-moving rhythms.

A four note chord consisting of a triad and a note that is a seventh (of any quality) above the root.

Chords with alternate ordering of their tones where the root is placed either in the middle or at the top of the chord.

Hand positions that require stretching beyond a five finger scale; usually to play intervals that are 6ths or greater.

Sharps, flats and naturals that do not appear in a key signature.

A sign placed in front of a note that raises its pitch by a half step.

Notes whose lengths are equal to one-fourth the value of a whole note.

Silence that equals the length of one 8th note.

Notes whose lengths are equal to one half the value of a whole note.

Changing from one finger to another on the different notes of a series of repeated notes.

The physical motion of crossing fingers 2, 3, 4, or 5 over the thumb; used when playing scalar passages or outside of five finger scales.

A technique that requires the player to pick up and move their hand to a new position; usually from a five finger scale to another.

Indications instructing the player to put special emphasis on notes.

A type of articulation indicating the player to play smoothly and seamlessly, with the notes slightly overlapped.