Schützenmarsch

May Flowers Op. 61

Arpeggios played with predominantly 16th note rhythms.

Indications instructing the player to put special emphasis on notes.

Chord tones played together that are not part of an accompaniment pattern.

Quarter notes whose lengths are increased by half; equal to three 8th notes.

An indication instructing the player to play loudly.

A type of articulation indicating the player to play smoothly and seamlessly, with the notes slightly overlapped.

A symbol indicating that a section should be repeated.

A type of articulation indicating the player to play short and light; notes not held for their full value.

A type of accompaniment pattern that primarily uses repeating blocked 3rds in a single position with simple or slow-moving rhythms.

A type of accompaniment pattern that primarily uses major and minor triads with simple or slow-moving rhythms.

Silence that equals the length of one 8th note.

Hand positions that require stretching beyond a five finger scale; usually to play intervals that are 6ths or greater.

Notes whose lengths are equal to one-sixteenth the value of a whole note or one quarter of a quarter note.

Notes whose lengths are equal to one-eighth the value of a whole note or half the value of a quarter note.

Two notes played together, usually in one hand but sometimes in both, whose distance is the interval of a 6th of any quality.