Turnfahrt

May Flowers Op. 61

Notes whose lengths are equal to one-sixteenth the value of a whole note or one quarter of a quarter note.

Notes whose lengths are equal to one-eighth the value of a whole note or half the value of a quarter note.

Sharps, flats and naturals that do not appear in a key signature.

Indications instructing the player to play gradually louder (crescendo) or softer (diminuendo).

A symbol indicating that a section should be repeated.

A type of accompaniment pattern that primarily uses major and minor triads with simple or slow-moving rhythms.

Chords with alternate ordering of their tones where the root is placed either in the middle or at the top of the chord.

Hand positions that require stretching beyond a five finger scale; usually to play intervals that are 6ths or greater.

A technique that requires the player to pick up and move their hand to a new position; usually from a five finger scale to another.

Two notes played together, usually in one hand but sometimes in both, whose distance is the interval of a 6th of any quality.

Two notes played together, usually in one hand but sometimes in both, whose distance is the interval of a 3rd of any quality.

The physical motion of crossing the thumb under fingers 2, 3, 4, or 5; used when playing scalar passages or outside of five finger scales.

Changing from one finger to another on the different notes of a series of repeated notes.

A type of articulation indicating the player to play short and light; notes not held for their full value.

A type of articulation indicating the player to play smoothly and seamlessly, with the notes slightly overlapped.

A simple melody line shared by both the right hand and the left hand.

A sign that tells the player to play gradually louder.

A sign that tells the player to play gradually softer.

Indications instructing the player to put special emphasis on notes.

A sign placed in front of a note that raises its pitch by a half step.