25 Progressive Etudes, Op. 50

Louise Farrenc

Symbols that indicate different measures to play during repeated sections.

Notes whose lengths are equal to one-eighth the value of a whole note or half the value of a quarter note.

Silence that equals the length of one 8th note.

Sharps, flats and naturals that do not appear in a key signature.

A type of accompaniment pattern that primarily uses broken chords in varying note configurations, with simple or slow-moving rhythms.

Chord tones played one note at a time that are not part of an accompaniment pattern.

Chords with alternate ordering of their tones where the root is placed either in the middle or at the top of the chord.

The physical motion of crossing fingers 2, 3, 4, or 5 over the thumb; used when playing scalar passages or outside of five finger scales.

The physical motion of crossing the thumb under fingers 2, 3, 4, or 5; used when playing scalar passages or outside of five finger scales.

Four-note chords comprised of the root, minor 3rd, diminished 5th, and diminished 7th; typically have a dominant function.

Chords comprised of the root, major 3rd, perfect 5th, and minor 7th. Sometimes they are found in close position with only three notes.

Chords with an alternate ordering of their tones where the root is placed on the top and the 3rd and 5th below.

A type of texture where one hand plays a series of notes that are mimicked in the other hand.

A type of texture where the left hand plays the melody and the right hand plays the accompaniment for an extended period of time.

Two notes played in succession, usually in one hand but sometimes in both, whose distance is the interval of a 2nd of any quality.

A symbol indicating that a section should be repeated.

Notes whose values are determined by a subdivision into three-note groupings instead of two or four.