Elfentanz in C-Sharp Minor, Op. 148, No. 12

Elfentanz in C-Sharp Minor, Op. 148, No. 12

Elfentanz in C# Minor is the 12th piece from the collection Novelletten: 12 kleine Salonstücke für das Pianoforte, Op. 148 by Cornelius Gurlitt. Originally published in London by Augener & Co., the date of first publication is not clearly documented. The compilation is designed to necessitate the breadth of a pianist’s technical and expressive potential. The pedagogical objective of these pieces is to teach expressive playing through varied technical demands.
Specifically, Elfentanz demands meticulous rhythmic precision, malleable jumping left hand fluency, constant maneuvering of triplets, appreciable hand crossing proficiency, and confident damper pedal management.
A live MIDI performance is included along with a 24-page commentary. Performers can ute or unmute the playback of left or right hands tracks. Individual damper and una corda pedal tracks are also available to mute or to unmute. Play along with one hand while the MIDI performance plays the other tracks at any tempo.

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Sheet Music

Era

Late Romantic

Difficulty Level

Late Intermediate

Moods

Capricious,

Energetic,

Excited,

Fun,

Humorous,

Playful

Styles

Character Piece,

Dance,

Fantasia,

Late Romantic,

Romantic

Themes

Adventure,

Dancing,

Elves,

Fantasy,

Magic,

Mystery,

Nature,

Playing,

Sneaking

Video

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Details

Title

Elfentanz in C-Sharp Minor, Op. 148, No. 12

Alternate Title

Elf Dance in C-Sharp Minor, Op. 148, No. 12

Year

1886

Instrumentation

Solo Piano

Key Signatures

A-flat Major,

C-sharp Minor

Time Signature

2/4

# of Measures

81

Teacher Duet

No

Lyrics

No

Student Ages

Adults,

Children,

Teens

Teaching Tips

Choose Good Fingerings,

Focus On Expressive Markings,

Focus on the Left Hand Accompaniment Patterns,

Hands Separate Practice,

Help Student Achieve Sensitive and Musical Playing,

Highlight Dynamic Contrasts,

Highlight the Contrast in Articulation,

Highlight the Contrasting Characters of Each Section,

Map Out Hand Position Shifts,

Play Small Segments,

Play Without Pedal,

Practice Pedaling,

Prepare Challenging Rhythms,

Slow Practice,

Tap One Hand While Playing the Other,

Work on Bringing Out the Bouncy Character With a Light, Nimble Touch,

Work on Creating a Mysterious Character,

Work on Expressive Phrasing,

Work on Wrist Rotation,

Work on a Smooth Legato Touch